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            After 
              a hard day of work, the conscientious objectors in work camps had 
              their evenings free. When he worked at Clear Lake in Riding Mountain 
              National Park, John C. Klassen remembers that the evenings were 
              “spent visiting, doing laundry, hair cutting, group singing, and 
              spiritual devotions.” [ASM, 23-29] Some of these, like 
              doing laundry, seemed like work, but the others were more pleasurable. 
              The alternative service officials knew that the men needed some 
              form of relaxation.  
              
               
            The 
              Manual of Instruction  for alternative service work camps 
              noted that, “as the liberties of these men are more restricted than 
              in an ordinary construction camp, consideration must be given to 
              recreational facilities and, if possible, a site selected where 
              baseball, football, or other games may be played.” Many men did 
              enjoy sports, but not every camp had the required facilities, especially 
              the more remote forestry camps. Singing, 
              however, could be done anywhere. So, as Klassen noted, one of the 
              popular free-time activities was singing and making 
              music.   
              
               
               
             
            This 
              took many forms. Some formed quartets or other small groups. In 
              larger camps, choirs were organized. The assortment of musical instruments 
              varied from camp to camp. Peter G. Dueck worked at Kootenay National 
              Park in BC. 
              
               
             
              “On 
                Sunday mornings, we had our own worship services. Some of us had 
                our first experience at leading a worship service or even preaching. 
                Others had brought their musical instruments: violins, guitars, 
                mandolins, and accordions.” [ASP, 55]  
             
              
               
            Played 
              together, this group of instruments would have had a unique sound. 
              Each camp had its share of musicians. Sometimes these talents served 
              a social purpose beyond mere relaxation.  
              
            
              
                
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                  |  This barber scene is accompanied by a three-piece orchestra. | 
                   Alvin Dyck with his guitar at Clear Lake.  | 
                  CO choir practise.  | 
                 
               
             
              
               
            At 
              Clear Lake, Manitoba, Peter A. Thiessen worked under the supervision 
              of Alex Sutherland, the foreman. At first, the COs and Sutherland 
              did not get along very well, but as they got to know each other, 
              the relationship became more positive. Music helped to bridge the 
              gap between the foreman and the COs.  
              
               
            
              “We 
                also soon started evening services. At first he watched us from 
                his tent, but he soon came listening. There were some that made 
                up a quartet which Mr. Sutherland enjoyed. He sometimes would 
                request a song.” [ASM, 15-17]  
             
              
               
            In 
              other camps, COs composed their own songs.  
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